Between Latitudes unfolds as an artistic dialogue between artists Lujan Candria and Marina Gonella, both originally from Buenos Aires and now residents of Miami. The artists blend natural scenes from their contemporary surroundings with those from their memories of home. They use photography, video, painting, and textiles to bring to life the intertwined experience of living in two places at the same time.

A stroll through a garden or any natural environment can feel regenerative and even healing. It can produce awe while facing the solace or sometimes the abysmal it may bring; such as the moments when we find our inner sublimity in the smallest of the natural world, or sometimes confronting the grandeur and power of nature, or perhaps in our era, encountering the threats of climate change. The ever-persistent life, in spite of political crisis, world pandemics, financial disasters and bankrupt social systems, continues through the natural processes of life, death and decay.

Each mimetic work in this exhibition is a small story inspired in nature, hoping to offer contemplation of your own relationship to the environment.

Shared Narratives: A Group Exhibition by the Collective 62 brings together, for the first time at CA’ D’ORO Gallery in New York, a diverse group of artists whose works reflect their individual conceptual preoccupations while also highlighting the overarching themes that unite them. These women work together in the Liberty City neighborhood in Miami, in a communal space where they share meals, conversations, and creative ideas, resulting in a cohesive and thought-provoking exhibition. Through a range of mediums, including painting, sculpture, photography, ceramics and installation, the artists explore a variety of topics, such as identity, memory, the environment and social justice.

Portraits can be considered historical documents—an impression of a particular person, details of dress, surroundings, of location—but they also provide a timeless glimpse into the sitter’s psychological interiority, making them very much alive in the present. The works in Encounters: Contemporary Portraits attest to the qualities of certain portraits to confront in their immediacy certain enduring questions centered around identity, and personal and collective memory.

Clamoring pots and pans waking a household from its slumber, a bobbin of unspooled thread once used to mend a blouse, handwritten notes in the margin of old family recipes—what is nostalgia if not the impressions we leave behind? How do we mark our presence and preserve it in objects that linger? These questions lie at the heart of Time flies like an arrow; fruit flies like a banana. Borrowing its title from a quote by American comedian Groucho Marx, the exhibition cheekily captures residual impressions and remnants of homely objects—ones which we hold dear, and in some cases, reveal the often invisible labor performed by women in domestic realms. Featuring works by Liene Bosquê, Amy Gelb, Stephanie Eti Hadad, Amanda Linares, Molly McGreevy, Catalina Rojas, and Nina Surel, the exhibition traces the passage of time through its impact on the body, material possessions, and the spaces we occupy.