This exhibition brings together four women practitioners whose backgrounds in architecture, graphic design, textile design, and visual art converge around a shared concern: the experience of the journey and the act of locating oneself in the present.
Architecture operates here not only as a discipline, but as a way of thinking. To build is to trace a path, to make decisions, to leave marks of what has been traversed in order to arrive somewhere. Each practice reflects a personal route shaped by movement, transformation, and time. The works do not speak from a fixed sense of belonging, but from motion: from the space between where one comes from and where one stands now.
Maps, plans, and spatial thinking appear both literally and conceptually. Like the familiar “You are here” marker, the exhibition proposes the present moment as a point of convergence, where past experience and future intention intersect. This emphasis on here and now is not static; it is an active state of awareness, shaped by accumulated decisions, detours, and encounters.
Light and shadow, material and surface, structure and intuition coexist across the works. Whether through constructed space, visual mapping, textile language, or abstract gesture, each artist articulates a way of inhabiting the present while acknowledging the path that led there.
Seen together, the exhibition becomes a shared territory: a mid-distance journey where individual trajectories meet. It is a space for exchange, learning, and presence, affirming that the present is not an endpoint, but a living site where memory and possibility remain in dialogue. We are here, now.

El barro como cuerpo, registro y voz

Materia Viva brings together works that engage clay as a living material—one that remembers, responds, and transforms. Shaped by touch, pressure, sound, and time, clay appears throughout the exhibition as body, as record, and as voice.

Rather than treating clay as a passive medium, the works presented here approach it as an active participant in processes of making, listening, and remembering. Clay holds traces of gesture and ritual, bears the imprint of lived experience, and speaks through vibration, resonance, and material presence.

Together, these practices invite viewers to encounter clay as a site of relation: between body and matter, memory and transformation, fragility and endurance.

Bump in the Night is a group exhibition at Collective 62 that summons visions of hedonistic revelry, urban myths, and the creatures that come alive when the city sleeps.

‘Idas y Vueltas’ includes the works of five Miami-based artists examining their connection to their roots, familial, from their country of origin or both, and how these connections show in their work. They delve into the threads that bind them to their homelands and families, as well as to their present time and home.

The Transient, the Tangible, and the Self.

Curated by Melissa Wallen @oilslickrainbow
An exploration of the corporeal, cultural, and technological forces that permeate and shape our
everyday experiences – forces often felt but rarely seen.
The exhibition brings together Roxana Barba, Cynthia Cruz, Brooke Frank, Richard Garet,
Stephanie Hadad, Amanda Linares, and Alexandra Fields O’Neale, whose works navigate
the thresholds between materiality and perception. Spanning mediums including video,
sound, sculpture, and movement, works represent the fragmentation of time, resonance,
and the imprints of memory, each shaping an evolving sense of self within a fluid and
shifting cultural framework.

IMMATERIAL meditates on the tension between the ephemeral and the concrete, revealing the
ways identity and perception are constructed, eroded, and redefined by the mutable conditions
of contemporary life.

Disturbances in the Field assembles the diverse works of nine artists whose processes involve sampling, glitches, noise, static, feedback, forking paths and rogue signals to effectively hitch a ride on the improvisatory forces and wayward pathways that present themselves in contemporary life.